ID | Interpret | Skladba | Album | |
1. | ensemble amarcord | Now is the month of Maying | The Book of Madrigals | |
2. | ensemble amarcord | Come again, sweet love doth now invite | The Book of Madrigals | |
3. | Carlo Gesualdo | Condido E Verde Fiore | The Sixth Book Of Madrigals | |
4. | Vox Femina Los Angeles | alarcon.madrigals.bk3 | Alarcon Madrigals, Book 3 | |
5. | Daniele Bovo | A Dio, Florida bella, il cor piagato (Farewell, fair Florida | MONTEVERDI: Madrigals, Book 6 | |
6. | Carlo Gesualdo | O Dolce Mio Tesoro | The Sixth Book Of Madrigals | |
7. | Carlo Gesualdo | Condido E Verde Fiore | The Sixth Book Of Madrigals | |
8. | Fursaxa | Esbat | Madrigals in Duos | |
9. | American Watercolor Movement | Roman Coin | It Takes 15 To Tango In My Book, What Book Do You Read? | |
10. | American Watercolor Movement | She Danced Like A Demon | It Takes 15 To Tango In My Book, What Book Do You Read? | |
11. | American Watercolor Movement | C'est La Vie Gueule De Fuch | It Takes 15 To Tango In My Book, What Book Do You Read? | |
12. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
13. | American Watercolor Movement | Sweet Thursday | It Takes 15 To Tango In My Book, What Book Do You Read? | |
14. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
15. | American Watercolor Movement | C'est La Vie Gueule De Fuch | It Takes 15 To Tango In My Book, What Book Do You Read? | |
16. | American Watercolor Movement | Because Of What You Wear | It Takes 15 To Tango In My Book, What Book Do You Read? | |
17. | American Watercolor Movement | It Takes Fifteen To Tango In My Book | It Takes 15 To Tango In My Book, What Book Do You Read? | |
18. | American Watercolor Movement | Flowers For Catalan | It Takes 15 To Tango In My Book, What Book Do You Read? | |
19. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
20. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
21. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
22. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
23. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
24. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
25. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
26. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
27. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
28. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
29. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
30. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |